About Us


The Roodepoort Civic Theatre was founded in 1980. The theatre operated as a 328 seater auditorium and an 80 seater box theatre. On the initiative of its first director, Weiss Doubell, the theatre became, apart from a receiving theatre, also a producing theatre with its own production units – the Pro Musica Orchestra, Opera Company and Opera Chorus.

The name of the theatre was later changed to the Pro Musica Theatre.  The Theatre was initially subsidised by the Roodepoort City Council (later the City of  Johannesburg). Sponsorships had to be found to help finance its enterprises, projects such  as audience development, and productions, to ensure sustainability. Up until 2008, Pro Musica presented 400 opera performances and 500 symphony concerts.

Renowned international artists regularly performed in the theatre such as Nigel Kennedy (violinist), Christian Blackshaw (pianist, Mischa Maisky (cellist), Oxana Yablonskaya (pianist), Gerd Seiffert (horn-player), Ilan Rogoff (pianist), Marisa Robles (harpist), Gary Carr (bassist), Gérard Souzay (baritone), Elly Ameling (soprano), Sir Thomas Allen (baritone),
Gundula Janowitz (soprano) and Jenny Drivala (soprano). Famous South African artists also  performed here – Mimi Coertse (soprano), Deon van der Walt (tenor), Werner Nel (baritone),  Oystein Liltved (bass), Sibongile Khumalo (mezzo-soprano), Otto Maidi (bass), Hans van Heerden (baritone), Marita Napier (soprano), Manuel Escorcio (tenor), Francois du Toit  (pianist), Ben Schoeman (pianist), Alma Musica Trio, Petronel Malan (pianist) and Zanta  Hofmeyr (violinist).

In 1992 the Pro Musica Orchestra went on a concert tour  of France. The tour took place under the auspices of UNESCO and the highlight was the
concert in the UNESCO Great Hall; attended by heads of state, diplomats and other  European dignitaries and televised internationally. Pro Musica therefore became the first South  African orchestra to perform overseas, after the lifting of the cultural boycott against South Africa.

Pro Musica was involved in pioneering work regarding opera in South Africa. Der Freischütz  (Weber), Die Lustigen Weiber von Windsor (Nicolai) and Romeo et Juliette (Gounod) had  their South African debuts in the Roodepoort Civic Theatre. Fidelio (Beethoven) h a d it’s  Transvaal debut in Roodepoort and Symphony of Sorrowful Songs (Gorecki) h a d it’s
African debut. Axion Esti (Mikis Theodorakis) was played for the first time in Africa by Pro  Musica under the baton of the composer himself (Unisa). In 1996 Pro Musica gave the first  performance of works of the German composer, Manfred Stahnke, (Delphi Monodi and  Portrait Pawel Filonow) with the composer in the audience. This was a joint project with the
Goethe Institute.

Works by South African composers were often included in symphonic programmes including Die Skilderye van Henri Rousseau (Hubert du Plessis), Sinfonietta for Chamber Orchestra  (Henk Temmingh).
Music tuition was also attended to. From 1994, several wind instrumentalists in the orchestra tutored to previously disadvantaged students, in Soweto and at the Roodepoort Theatre.

In  2005 a vocal tuition scheme w as also been introduced w h e r e b y choir members received vocal training from the Pro Musica Chorus’ choirmaster.  The first director of the theatre and production companies, Weiss Doubell, retired in 2008.

In 2008 the production units were disbanded. Although the theatre had become synonymous with classical music and the lyric arts, profitability
had to improve. The Theatre also needed to become more relevant to the community it served.

During 2009/2010 the strategic positioning of the organization was reviewed, resulting in a stronger focus on the receiving house aspects of Pro Musica, and a more  concerted effort to attract independent producers to the venue.

The Theatre made major progress in terms of the diversification of its production and marketing  mix, which consequently had a significant impact on the diversification of audiences. However as  a result of its size, the Theatre was not always in a position to attract sufficient artistic product to  keep the stages occupied. As a result, the Theatre acted as a producing house, and staged work in a diverse range of genres, including music and musical theatre, comedy, and children’s theatre.

In addition, the Theatre played a significant developmental role by means of providing a venue for  community theatre initiatives in the area, as well as running tuition programmes that provided  instrumental, vocal, dance and drama tuition for students from disadvantaged backgrounds.

In 2012 Pro Musica was tasked with the launch of the new Soweto Theatre in Jabulani, Soweto.

The City of Johannesburg, as part of its Institutional Review of 2012, resolved that Joburg Theatre  (SOC) Ltd and Roodepoort City Theatre (NPC) t/a Pro Musica be integrated into a single theatre management company. The theatre management company, now known as Joburg City Theatres  (JCT) renders the functions and services that, until 31 December 2012, were rendered by the 2 theatres. It also institutionalized the operation of the newly established Soweto Theatre. The  effective date of the integration was 1 January 2013.

In 2013 the theatre’s name was changed to the Roodepoort Theatre, under the leadership of  JCT’s Chief Executive Officer, Bernard Jay. Experienced theatre practitioner, Xoliswa Nduneni Ngema, took over as CEO in July 2013.